"Modesty is a virtue that can never thrive in public… A man must be his own trumpeteer, he must write or dictate paragraphs of praise in the newspapers, he must dress, have a retinue, and equipage, he must ostentatiously publish to the world his own writings with his name, and must write even some panegyrics upon... them . . . and must perpetuate his fame." - John Adams
I started writing plays just over ...
I am excited to share a wonderful show with you that is heartfelt, poignant, and a great fit for a theatre of any size. Out Of My Head is a thought-provoking musical portrait by Ryan Scott Oliver and Kirsten Guenther. Minimal scenic and costume requirements make Out Of My Head easy to produce on a shoestring budget. In addition, I think your cast will love delving into the characters — they are complex, deeply-layered, and provide excellent training opportunities in character development. The collaborative nature of the show lends itself to a wonderful ensemble experience.
This article written by Michael Gioia for Playbill.com about the art of theatrical sound design was incredibly informative. It provides great insight into this often unknown and misunderstood artform. Legendary sound designer Abe Jacob will be recognized for his career in the field at the Live Design Awards, but this season’s sound designers will not be recognized by the Tony Awards. Jacob explains why the art form is important and why these designers should be honored on Broadway’s biggest night.
We caught up with Up To You's! writer Eric Rockwell (Musical of Musicals (the Musical!)) to discuss what makes this 1970s retro-pop musical relevant to today's audiences. Q: What inspired you to create Up To You!? A: I was inspired to write Up To You! in part by all the talented students I know. I wanted to create a show that would ...
This post comes to you from the Broadway Green Alliance
The magic of Broadway turns guitar strings into bracelets, playbills into flowers, and trash into Tony Award-winning set designs. With roots in folk art, the use of salvaged materials deliberately raises the intrinsic and monetary value of recycled objects. It gives items a second life, and transforms the mundane into the extraordinary. Through the manipulation of forms, mass and surfaces ...