Watson
Watson
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Watson: The Last Great Tale of the Legendary Sherlock Holmes tells the story of a good man trapped in the shadow of a great man. Funny, moving, and theatrically inventive, this high-energy play balances witty comedy and dramatic mystery to recount the last great tale of the legendary Sherlock Holmes as seen through the eyes of his trusted friend and colleague, Dr. John H. Watson. From pantomime to Punch and Judy and with the theatrical ingenuity of Broadway’s The 39 Steps, Watson tells a grand tale of heroes and villains that will captivate your audience until the very end!


SYNOPSIS


Act I

Watson begins in 1894 outside of an abandoned 221B Baker Street. Dr. John Watson has returned at the behest of a mysterious gypsy’s cryptic admonitions. There he finds a manuscript he wrote and abandoned years earlier. As Watson reads, we are transported to Baker Street in 1891 and are introduced to a drug addled Sherlock Holmes. Holmes, quite paranoid, begs Watson’s help in transporting a small box to the embattled island of Cyprus, while avoiding the clutches of the nefarious Napoleon of Crime, Professor James Moriarty, crafty Russians and the ever-hated Turks.

On board a steam train, Holmes survives an attack from a gang of Turks and Watson reconsiders his journey. The two part ways after arriving at Dover Priory Station. At the edge of the White Cliffs of Dover, Professor James Moriarty accosts Holmes. Holmes connects him to the attack on the train. Before he can deduce the Professor’s intentions, Moriarty pounces. They both plummet off the cliffs. Sherlock survives, soaking wet, but none the worse for wear. He reveals to Watson the box they are to carry was sent directly by Queen Victoria. This fact and a note threatening Mary’s life, delivered via messenger, convince Watson to continue.

Across the English Channel and into Paris, Holmes and Watson meet their contact; Sherlock’s former love interest and rival, Irene Adler. She leads the duo on a thrilling horseback chase to Vienna against a gang of Turks. In Vienna, Sherlock is subject to an intervention by the outrageous and controversial Sigmund Freud. Barely holding on to sobriety, Holmes falls apart in Budapest. Moriarty, who survived the fall off the cliffs as well, surprises them, shoots Holmes and knocks Watson unconscious.

Act II

In the court of Queen Victoria, Mycroft Holmes, Sherlock’s older, smarter brother and point man for the mission, delivers the bad news. Victoria reveals the box, if not brought to a confidential summit on Cyprus, could propel England and the world into conflict. Meanwhile, Watson wakes up in the clutches of Moriarty. In Budapest, Irene finds the mortally wounded Holmes. He holds on to life just long enough to express his affection for her.

Watson awakens in a minaret in Istanbul. He proceeds to out the Professor as a traitor to his nation in league with both Russians and Turks. As one last moment of cruelty before killing Watson, Moriarty reveals Mary is still alive. Watson, steeled by the news, escapes the minaret and defeats Moriarty. Watson finishes the trek to Cyprus and returns the box to the Queen at the summit. Watson resolves the conflict between the Turks and Russians before returning to his home and wife.

As he concludes his tale, Watson realizes he was not alone on Baker Street. The gypsy applauds his accomplished storytelling before letting Watson in on a story of her own; that she is actually the master of disguise, Sherlock Holmes. He faked his death to ferret out Moriarty’s minions. Holmes urges Watson to publish the tale and rekindle their partnership. Watson declines and sets off on his own, as his own man and hero of his own adventure.

QUOTE


Inventive, epic comedy.

–Los Angeles Times


Characters:

John Watson – Male, Mid 30's - Mid 40's. The agreeable and bumbling sidekick to Sherlock Holmes who becomes a hero.

Sherlock Holmes – Male, Mid Thirties to Early 40's. Arrogant, tortured, and paranoid with a romantic streak. Adept at physical comedy.

Professor Moriarty – Male, Late 30's to Late 40's. The reptilian arch-nemesis of Sherlock Holmes. Will begin the play as a stagehand as well as play six characters in Victoria Station.

Sigmund Freud – Male or Female, Early 40's to Early '50's. Zany Austrian doctor with unusual methodology. Will potentially double as Queen Victoria.

Mary Marston – Female, Mid 20's to Mid 30's. The concerned, understanding wife of John Watson. Must sing.

Irene Adler – Female, Mid 20's to Mid 30's. Tough, brash, and intelligent. She is the only woman to outsmart Sherlock Holmes.

Mycroft – Male, Late 30s to Late 40's. Snide, unkempt, and quick with an insult. He is Sherlock's older, smarter, brother.

Stagehands – All types and ethnicities; male and female. They play actual stagehands, moving set pieces on, off and around the stage as well as various supporting characters throughout the play. Must be athletic and versatile actors who can play several distinct characters within the course of the play. The stagehands almost never leave the stage and play an integral part in the story’s action and the play’s theatricality. 

Setting: Simple settings suggesting Baker Street, a steam train, Paris, Vienna, and the Court of Queen Victoria

Jaime Robledo is an acclaimed Los Angeles-based playwright and director. Author of 
the Watson trilogy, Jaime has won an LA Weekly Award, a Saturn Award (Academy of 
Science Fiction, Fantasy, and Horror), as well as an Ovation Award Nomination for the first 
play of the series Watson: The Last Great Tale of the Legendary Sherlock Holmes. A 
longtime member of Sacred Fools Theatre Company, Jaime has created several serialized 
sketch pieces, including a live radio play Hooverville Serenade, the hip-hop Alice in 
Wonderland send-up Fresshhh!, and the 80s jukebox bio-musical Albert Einstein: One Hit 
Wonder. As a director, he has helped develop the world premieres of Adam Szymkowicz’s 
Hearts Like Fists, Vanessa Stewart’s Stoneface: The Rise and Fall and Rise of Buster 
Keaton, and Rio Hondo by Bill Robens. For more information on his work, please visit 
www.jrobledo.com.

Performance Royalties are based on theater particulars. Please fill out an application for a personalized quote.

Billing responsibilities, pertinent copyright information, and playwrights' biographies are available in the show rider that comes with your license agreement. To download the show rider for Watson: The Last Great Tale of the Legendary Sherlock Holmes, click here.

"Go!" "Delightful and at times inspired production with moments of comic mastery"–Steven Leigh Morris - LA Weekly.

"In spite of a thrilling plotline worthy of Doyle himself, the true genius of this magnificent production lies in its constantly inventive staging."–Pauline Adamek - Artsbeat L.A.

"Hilarious and very entertaining."–Terry Morgan, LAist

"What Robledo’s Watson, The Last Great Tale of the Legendary Sherlock Holmes proves is that the only thing that could kill Sherlock is dying from laughter."–Ed Rampell, Jesther Entertainment

Materials: your materials will be sent to you two months prior to your opening date and will include everything necessary for your production and can be ordered in Printed or Digital format. Printed Materials are provided on unbound three-hole punched loose-leaf paper while Digital Materials are provided via email as downloadable PDF files for you to print in-house. All materials are yours to keep! No deposits, no returns.

The required materials for Watson: The Last Great Tale of the Legendary Sherlock Holmes include:  

Production Scripts

Available Products:

Print Edition – Beautifully bound scripts available at wholesale costs to sell in your lobby

Director's Script – Single-sided script with space for director’s notes.

Incidental Music Tracks – Original music written for the show provided to enhance your production. 

Logo/PR Pack – Includes high-resolution artwork, ready-designed posters, reviews and pull quotes, and reference photos.

GALLERY

 

VIDEO


Watson: The Last Great Tale of the Legendary Sherlock Holmes Promo Video