Miracle On 34th Street: A Live Musical Radio Play
Miracle on 34th Street
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When a department store Santa claims he’s the real Kris Kringle, his case gets taken all the way to the Supreme Court and a little girl’s belief makes the difference in the ‘miracle.’  With live Foley effects and a score of holiday carols, Miracle On 34th Street is a beloved musical that will melt even the most cynical of hearts.


The “studio” audience filters in and our Announcer sets up the conceit of the evening (“KSDMT Theme/Introductions”). It’s 1947 and time for a star-studded telling of that classic tale, Miracle on 34th Street, presented by various sponsors (“Jingle”). Our story beings as Doris Walker frantically recruits a last minute replacement for a drunken Santa for Macy's Christmas parade (“Macy’s Parade Song”). The man proves ideal for the job and for good reason - he says his name is Kris Kringle and that he's the real Santa Claus.

Excusing herself from the parade, Doris finds her daughter, Susan, watching the parade in neighbor Fred Gailey’s apartment. Fred enjoys the spirit of the season, while Doris has taught her daughter not to believe in Santa Claus. Still, says Susan, this new Santa is the most realistic one yet.

At Macy’s department store (“Toy Department Song”), Kris is proving to be popular as well. He seems know just what kids would like to have and creates a bit of a sensation when he refers shoppers to other stores rather than Macy's. Fred brings Susan to Doris’ office by way of the toy department. He attempts to explain to Doris his intent but she insists he not interfere in how she raises her daughter (“A Little Make Believe”).

Irate, Doris dismisses Kris but upon Mr. Macy’s insistence, hires him back pending a psychological exam (“A Little Case Of Christmas”). The psychologist swears Kris is crazy, but a doctor friend at Kris’ retirement community suggests someone in the city rent him a room- that someone is Fred (“Jazzy, Sleepy And Final King Wenceslas”).  With Doris and Susan living just down the hall from them, Fred and Kris become good friends and all four begin to discover a lasting bond.

With competition fierce between Macy’s and Gimbels (“Macy’s Ad”, “Gimbels Ad”), Doris recommends a photo op with the two head honchos and the best department store Santa in ages (“Macy’s/Gimbels Mashup”). It’s a smashing success, and the waters appear to have calmed.

But when Kris has another run-in with the Department store's psychologist (“You Better Watch Out”), Kris is provoked into smacking some sense into him- with his silver-topped cane!

Fred rushes to Bellevue Hospital (“God Rest Ye Merry, Gents”) where Kris miserably awaits a court hearing. He convinces Kris not to give up hope, and that he’ll represent the would-be Santa as his attorney (“Santa, Don’t Let Us Down”).

A dismal dinner between Doris, Fred, and Susan ends in hope as Doris inadvertently gives Fred an idea of how to prove Kris is the real Santa Claus. Meanwhile, paperboys hawk the latest preposterous headlines (“Headline News”).

Once the hearing begins, Judge Harper realizes the “easy” case is anything but- and he adjourns until the following day.

At dinner (“Jazzy Halls”) Fred informs Doris that he quit his law firm. He’ll go into business for himself, championing the downtrodden. Doris finds it noble but foolish. The two can’t seem to click, and decide to take a break (“Melancholy Halls”).

The next day, Mr. Macy himself appears as a witness. After pressure from Mr. Mara, the Assistant District Attorney, Macy states his belief in Kris as the one true Santa Claus. Mara asks for evidence, and Fred asks for more time to solidify his case.

Missing her friend, Susan writes a letter to Kris (“I Believe In You”) and Doris advises her to address it to him at the courthouse. It’s addressed to Santa Claus, and Doris races down the hall to show Fred. The two reconcile and figure out a way to save Kris.

In court (“USPS Jingle”) Judge Harper asks Fred for his evidence and Fred provides it- thousands of letters in bags addressed to Santa Claus, all delivered to Kris at the courthouse. If the USPS recognizes Kris as the one true Santa, Judge Harper is not about to disagree. Case dismissed! Besides, it’s Christmas Eve (“Tidings Of Comfort And Joy”)!

At the retirement community, Macy and Gimbel share in a duet, while Kris attends to his friends. Doris believes in him, Fred is relieved, but Susan is unsure. She didn’t get the present for which she asked, the present of a home with a swing and a family to go in it. Kris reminds her to believe.

On the drive home, per Kris’ directions, Doris, Susan, and Fred come to a house matching Susan’s wish. It’s for sale, and even has a swing in the back. Next to the fireplace inside, a beautiful cane with a silver top (“Miracles”).

Our story concluded, the announcer thanks the radio stars and bids the audience a joyous holiday season (“Carol Palooza”)!


"Miracle on 34th Street" lights up the holidays!

–James Hebert, San Diego Union Tribune

Characters:(radio stars named first):

Kristofer Van Lisberg as Kris Kringle: Santa Claus. Non-singing.

Cordelia Ragsdale as Doris Walker: Macy’s public relations expert. Alto/mezzo-soprano - C4- C#5 
Gracie Demarco as Susan Walker: Her precocious daughter (Age 8). - C4-C5
Grady Williams as Fred Gailey: Lawyer, looking for love and a miracle. Baritone/tenor - Bb3-G4
Wallace Ainsley as Male Character Actor: Various. Versatile. Baritone - B3-E4
Olivia Glatt as Female Character Actor: Various. Versatile. Soprano - C4-E5
Alex Mialdo as Foley Artist: Plays keyboard, foley sounds, and serves as Announcer. 
Bass/baritone - F2-E4
Additional Characters, played by the company:
Drunken Santa: Tight as a knot.
Shellhammer: Macy’s PR man.
R.H. Macy: Owner of the department store.
Alfred: Kris’ co-worker.
Sawyer: Stuffy head of the personnel department. 
Miss Prong: His secretary.
Mother: Thick NY accent. Shopper.
Mortimer: Her son. Wants toys.
Girl: Also wants toys.
2nd Mother: Girl’s mom.
Dr. Pierce: Psychiatrist and friend to Kris.
Gimbel: Owner of Gimbel’s, Macy’s hated rival.
Nurse: At Bellevue Hospital.
Judge: Hard as granite.
Charley: Judge’s friend, an Irish priest.
Thomas Mara: Prosecuting attorney.
Mrs. Mara: His wife.
Tommy: Their son.
Postman: Jovial, knows the denizens of NYC well.
Various Reporters, Photographers, Crowd

Casting Note - All actors except the two playing KRIS and SUSAN play multiple roles

Setting: A radio studio in NYC, circa 1947, then NYC, same.


Lance Arthur Smith (book adaptation) received his BA in Theatre with concentrations in Writing and Acting at the University of New Mexico under Emmy-winning writer Digby Wolfe (Laugh-In). His interstitial musical shorts appeared in the first three years of the University's Dionysus In The Round festival of one-acts, and his plays True Blue and Brushing The Center (co-written with Phillip Hughes) were produced there. Commissions include The Price of Peace (New Village Arts) and Miracle On 34thStreet (San Diego Musical Theatre). His play The Two Wisemen of Las Cruces was a Eugene O’Neill Theater Center Semifinalist and Princess Grace Award Semifinalist. Head Writer of the sci-fi pilot Orbital Broadcast One for TFK/Wavebreaking, he also appeared as a series regular alongside Star Trek veterans George Takei, Walter Koenig, and Tim Russ. His book Princess Geek was recently published, a non-fiction account of parenting a girl in the age of geek chic.

Jon Lorenz (original songs) is a composer, lyricist, arranger, and playwright from San Diego. His musical Alice was selected for the ASCAP/Disney Musical Theater Workshop and optioned by NBC/Universal Live Theatricals. He co-created the award-winning hit 80s musical revue Mixtape, named San Diego’s longest running homegrown musical by the San Diego Union Tribune. Oz, An American Musical Fairy Tale received five Craig Noel Award nominations from the San Diego Critics Circle. Commissions include Miracle On 34thStreet and Pump Up The Volume: A 90s-Palooza, for San Diego Musical Theatre. His original score for Wit (Lamb’s Players) was nominated for a Craig Noel Award. His musicals for young performers are produced nationally and available through Russell House. Since 2007, he’s been the lead composer/arranger for Lamb’s Players’ Festival of Christmas, creating over 40 critically-acclaimed original holiday songs and arrangements. An album of select holiday material is available on iTunes.

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Billing responsibilities, pertinent copyright information, and playwrights' biographies are available in the show rider that comes with your license agreement. To download the show rider for Miracle on 34th Street: A Live Musical Radio Play, click here.

“Just when you think thereʼs nothing new under the sun (or inside the snow globe), along comes a Christmas show that reminds even the Scrooge-iest soul how rewarding holiday theater can be. –James Hebert, San Diego Union Tribune

Whatʼs especially impressive about Miracle on 34th Street: A Live Musical Radio Play is the way it brings fresh snap to both a familiar story and a time- tested production concept.” –James Hebert, San Diego Union Tribune

“…the piece, adapted with an expert touch by Lance Arthur Smith, is gift-wrapped in Jon Lorenzʼs fetching musical score, which includes both original songs and distinctive arrangements of Christmas favorites.” –James Hebert, San Diego Union Tribune

”In small ways and large, this “Miracle” summons the warm glow of the season — no applause sign required.” –James Hebert, San Diego Union Tribune

“The production has snappy deliveries and fast-paced music — there is no time to get bored.” –Mukul Khurana, San Diego Reader

“By virtue of enthusiastic performances, we are transported into an almost magical world. And the voices delight; it is easy to get carried away by the music alone.” –Mukul Khurana, San Diego Reader

“Well done. And you might leave with joy in your heart.”–Mukul Khurana, San Diego Reader

“Tunes are a blend of holiday songs and original musical numbers by Jon Lorenz. Numbers such as "Macy's Parade Song," "Don't Let Us Down" and "Headline News" are written with enjoyable retro style. Ending the program on a touching note is Lorenz's finale, "Miracles." Yet, the music and lyrics are so delicately combined, they won't be able to resist the inevitably heart-tugging conclusion.” –David Dixon, Talkin' Broadway Regional News & Reviews

“By incorporating the live radio format, …Smith's take on the famous motion picture gives viewers an eve of yuletide cheer.” –David Dixon, Talkin' Broadway Regional News & Reviews

Materials: your materials will be sent to you two months prior to your opening date and will include everything necessary for your production and can be ordered in Printed or Digital format. Printed Materials are provided on unbound three-hole punched loose-leaf paper while digital Materials are provided via email as downloadable PDF files for you to print in-house. All materials are yours to keep! No deposits, no returns. 

The production materials for Miracle on 34th Street: A Live Musical Radio Play include:

Production Scripts, Piano/Vocal Scores 

Official Logo Pack Now Included! To help you promote your show, Stage Rights now includes a logo pack with your license. The logo pack includes high resolution versions (both color and black and white) of our professionally designed show logo. 

Optional Materials

Reference Recording – An audio recording of the live show for reference purposes only.

Director's Script – Single-sided script with space for director’s notes.

Official Show Poster and Layered Artwork are available for this title. We’ve collaborated with our partners at Subplot Studio to bring you powerful and easy-to-use online poster design and downloadable artwork for this Stage Rights title. Customize by adding your theater name and logo, show dates, credits, and box office info, and use elements in the layered artwork to create your own print and online marketing pieces. You can even order printed posters! Learn more at www.subplotstudio.com/store/posters/collection/stage-rights/